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Wealth and Beauty: Pier Francesco Foschi and Painting in Renaissance Florence

Saturday, Jan 29, 2022 — Sunday, Apr 24, 2022



This is the first exhibition dedicated to Pier Francesco Foschi (1502 – 1567), a highly prolific and fashionable Florentine painter whose career spanned nearly five decades. Despite his success among the contemporary public, he fell into nearly complete obscurity after his death. The exhibition offers a timely and critical reevaluation of this versatile and innovative Renaissance master with exceptional works of art from world-renowned museums including the Gallerie degli Uffizi (Florence), the Museo Thyssen-Bornemisza (Madrid) and the Royal Collection Trust (London) that have never been presented in the United States.

“Wealth and Beauty” features paintings and drawings by Foschi and his contemporaries, along with decorative arts objects that provide insight into the world of wealthy 16th-century Florentines. Born in Florence to a family of painters (his father was a member of Botticelli’s workshop), Foschi trained with Andrea del Sarto, one of the most influential artists of the Renaissance. He received commissions from numerous prominent families of Florence, including the Medici, Pucci and Torrigiani. His assignments included small devotional images and large church altarpieces and frescoes, but he is best known today for his portraits. In his own lifetime he became one of the most sought-after portraitists in his city, celebrated for his ability to convey the gravitas of his subjects and represent the objects that connoted their social and economic status.

The exhibition is accompanied by a fully illustrated catalogue written by international leading experts and published by the museum.

  • Georgia Museum of Art
    Pier Francesco Foschi (1502 – 1567), “Portrait of a Young Man Weaving a Wreath of Flowers,” ca. 1540. Oil on panel, 99 × 75.5 centimeters (39 × 29 3/4 inches). Purchased with funds from the Herbert I. and Elsa Bamberger Michael Fund, Permanent Collection, Utah Museum of Fine Arts, University of Utah, UMFA1981.047.
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  • Georgia Museum of Art
    Pier Francesco Foschi (1502 – 1567), “Portrait of Bartolomeo Compagni,” 1549. Oil on panel, 102.9 × 82.6 centimeters (40 1/2 × 32 1/2 inches). Cummer Museum of Art & Gardens, Jacksonville, Florida. Purchased with funds from the Cummer Council. AP.1984.3.1.
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  • Georgia Museum of Art
    Attributed to Pier Francesco Foschi (1502 – 1567) (copy after Andrea del Sarto), head of a woman. Red chalk, 250 × 290 millimeters (9 13/16 × 11 7/16 inches). Gabinetto dei Disegni e delle Stampe delle Gallerie degli Uffizi, 6420 F.
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  • Georgia Museum of Art
    Francesco d’Ubertino Verdi, called Bachiacca (1494 – 1557), “Portrait of a Woman with a Music Book,” ca. 1540 – 45. Oil, tempera and gold on panel, 103 × 80 centimeters (40 5/8 × 31 5/8 inches). The J. Paul Getty Museum, Los Angeles, inv. 78.PB.227.
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  • Georgia Museum of Art
    Pier Francesco Foschi (1502 – 1567), “Holy Family with the Young Saint John the Baptist,” ca. 1525–35. Mixed tempera on panel,105 × 87 centimeters (41 5/16 × 34 1/4 inches), Galleria dell’Accademia di Firenze, Florence, 235 azzurro - 302 giallo.
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  • Georgia Museum of Art
    Agnolo Bronzino (1503 – 1572), “Portrait of a Woman,” ca. 1550. Oil on wood, 60 × 48.8 centimeters (23 5/8 × 19 3/16 inches). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1972.121.
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  • Georgia Museum of Art
    Andrea del Sarto (1486 – 1530), “Charity,” before 1530. Oil on panel, 119.5 × 92.5 centimeters (47 1/16 × 36 7/16 inches). National Gallery of Art, Samuel H. Kress Collection, 1957.14.5.
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  • Georgia Museum of Art
    Pier Francesco Foschi (1502 – 1567), “Portrait of a Lady,” ca. 1550. Oil on panel, 101 × 79 centimeters (39.8 × 31 inches). Museo National Thyssen-Bornemisza, Madrid, 145 (1935.16).
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  • Georgia Museum of Art
    Pier Francesco Foschi (1502 – 1567), “Portrait of Antonio Pucci,” 1540. Oil on panel, 116 × 88 centimeters (45 11/16 × 34 5/8 inches). Collezione Corsini, Florence.
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  • Georgia Museum of Art
    Italy, early 16th century, beads from a rosary. Gilt copper with champlevé enamel, 24.5 centimeters long (9 5/8 inches). Cleveland Museum of Art, Cleveland Ohio, Purchase from the J.H. Wade Fund, 1952.277.
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  • Georgia Museum of Art
    Domenico Puligo (1492 – 1527), “Portrait of a Lady,” ca. 1525. Oil on panel transferred to canvas, 87.29 × 64.43 centimeters (34 3/8 × 25 3/8 inches). David Owsley Museum of Art at Ball State University, Gift of Mr. and Mrs. William H. Thompson, 1940.026.000.
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Curator

Nelda Damiano, Pierre Daura Curator of European Art at the Georgia Museum of Art

Sponsors

The Gladys Krieble Delmas Foundation, the Goizueta Foundation, the Samuel H. Kress Foundation, the W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art

Galleries

Virginia and Alfred Kennedy and Philip Henry Alston Jr. Galleries

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Wed, Dec 15, 2021