This wonderful bowl was discovered by Billy K. Poole and Dr. Milton Mazo in an Atlanta estate sale and later donated to the Georgia Museum of Art. It was a stunning example of wood turning by a master, Ed Moulthrop, who was key in the revival of lathe turning in the country. Unfortunately, it was not maintained in ideal circumstances for much of its life, and its finish had deteriorated. The luster and effects of the woodgrain were not accentuated by the cloudy and flaking surface that had developed on the piece. Billy Poole remembered that Ed Moulthrop had an unsuccessful experiment with one type of finish that did not endure. After years of only occasional study, Philip Moulthrop undertook the restoration of this bowl and matched his father’s skill in recreating its original luster and brilliance. The object has been born again, as the work of art originally intended. We often focus on objects that are new in the collection. While not new to the collection, this object is like new again. We are indebted to Philip Moulthrop for his contribution of skill and effort.
The underside of the bowl is inscribed “1933 Marthame Sanders & Co. 1983” and “1963 The Landmarks Group 1983.” Likely, it was commissioned as a commemorative presentation by the Landmarks Group for distinguished restoration done by the Marhame Sanders builders. The piece also has an inscribed signature by Ed Moulthrop. The use of examples of local craft for recognition of excellence is widespread and demonstrates the admiration society holds for craft talent. Bill Newton, Decorative Arts Advisory Committee member, retired from the Coca-Cola Company, remembered that commissions for Moulthrop objects were deemed the elite vehicle for important gifts and recognition in corporate diplomacy. This object was made by one of Georgia’s most significant craftsmen, was presented by and to important entities for their social contributions and, finally, owned and donated by two notable Georgia collectors.
By Dale Couch
