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Dale Nichols: Transcending Regionalism

December 17, 2011 – February 27, 2012
A detail of Dale Nichols' painting "Platte Valley Summer," which shows a red barn silhouetted from far away against a big blue sky mostly covered with lovely, puffy clouds.

Hours

Shop closes 15 minutes prior.

the American agrarian ideal

Organized by the Bone Creek Museum of Agrarian Art in David City, Nebraska, this retrospective exhibition presented Nebraska native Dale Nichols’ nostalgic images of rural America. Paintings dating from 1935 to 1972 establish Nichols not only as a regionalist in the company of such great artists as Grant Wood and Thomas Hart Benton, but one who transcended the confines of the genre to achieve universal success. This exhibition represented a recollection of Nichols’ years on the farm in Nebraska but manifests those memories in a variety of styles and places. Nichols held firm to his midwestern roots while he traveled the world in search of adventure and truth. Imbued with the inherent problems of isolation, poverty and inequality within American society, Nichols’ art references and upholds an American agrarian ideal.

 

Curator

Paul Manoguerra, chief curator and curator of American art (in-house)

Sponsors

The W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art