Feature Image

Kota Ezawa: The Crime of Art

Saturday, Jul 17, 2021 — Sunday, Dec 05, 2021



This exhibition brings together new and recent works related to Ezawa’s “The Crime of Art” series, a group of light boxes and video animations that chronicle some of the most infamous and high-profile museum heists in history. At the heart of this exhibition is a series of images that pays homage to the 13 works — including those by Degas, Manet, Rembrandt and Vermeer — stolen from the Isabella Stewart Gardner Museum in 1990. Ezawa draws from the histories of media, popular culture and art history to create distilled renderings of iconic images. His simplified versions of indelible images remain easily recognizable and potent, the result of a process that illuminates the hold certain images have on their viewers. Working in a range of mediums such as digital animation, slide projections, light boxes, paper cut-outs, collage, print and wood sculptures, Ezawa maintains a keen awareness of how images shape our experience and memory of events. “Kota Ezawa: The Crime of Art” was organized by SITE Santa Fe with the Mead Art Museum.

Learn more about the Heist and Kota Ezawa 

  • Georgia Museum of Art
    Kota Ezawa (Japanese-German, b. 1969), still from “Exquisite Corpse,” 2017. Single-channel color video.
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  • Georgia Museum of Art
    Kota Ezawa (Japanese-German, b. 1969), “Munch Theft,” 2017. Duratrans transparency and LED light box, 40 × 50 inches. Courtesy of the artist, Christopher Grimes Gallery, Santa Monica, and Haines Gallery, San Francisco.
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  • Georgia Museum of Art
    Kota Ezawa (Japanese-German, b. 1969), “Empty Frame,” 2015. Duratrans transparency and LED light box, 24 1/2 × 33 1/2 inches. Courtesy of the artist, Christopher Grimes Gallery, Santa Monica, and Haines Gallery, San Francisco .
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  • Georgia Museum of Art
    Kota Ezawa (Japanese-German, b. 1969), “A Lady and Gentleman in Black,” 2015. Duratrans transparency and LED light box, 52 1/2 × 43 1/2 inches. Courtesy of the artist, Collection of Nion McEvoy and Christopher Grimes Gallery, Santa Monica.
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  • Georgia Museum of Art
    Kota Ezawa (Japanese-German, b. 1969), “The Concert,” 2015. Duratrans transparency and LED light box, 28 1/2 × 25 1/2 inches. Collection of Nion McEvoy.
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  • Georgia Museum of Art
    Kota Ezawa (Japanese-German, b. 1969), “The Storm on the Sea of Galilee,” 2015. Duratrans transparency and LED light box, 62 1/2 × 50 1/2 inches. Courtesy of the artist, Collection of Nion McEvoy and Christopher Grimes Gallery, Santa Monica.
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Curator

Nelda Damiano, Pierre Daura Curator of European Art (in-house)

Galleries

Virginia and Alfred Kennedy Gallery