Upcoming Exhibitions

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A Perfect Model: Prints after Anthony van Dyck’s Portraits

June 8, 2024 — December 1, 2024


Prints that attest to Anthony Van Dyck’s lasting impact as printmaker and portraitist

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Saint Petersburg as Franz Liszt Saw It

August 10, 2024 — December 1, 2024


Organized in conjunction with the Liszt Festival at the University of Georgia’s Hugh Hodgson School of Music in October 2024, this exhibition features works on paper that show Russia at the time of Frantz Liszt visits there in the 1840s.

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Waffle House Vistas

August 24, 2024 — May 25, 2025


Photographs by Micah Cash taken from inside Waffle House restaurants, plus a newly commissioned time-based work

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In Dialogue: On Wonder and Witnessing at Tallulah Falls

September 7, 2024 — January 12, 2025


19th-century landscapes of Tallulah Falls and contemporary photographs of the area by Caitlin Peterson, illuminating the contradictions involved in marking off natural wonders and the paradoxes of witnessing nature

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Mind the Gap: Selections from the Permanent Collection

September 21, 2024 — December 1, 2024


Each work in this exhibition represents a snapshot of human experience preserved for future generations. Each connects us to the past while pointing toward the future.

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Joel Sternfeld: When It Changed

September 21, 2024 — December 1, 2024


Joel Sternfeld’s photographs of the 2005 United Nations Climate Change Conference

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The Artist as Witness

September 21, 2024 — December 1, 2024


Works from the museum’s permanent collection that respond visually to the exhibition “Joel Sternfeld: When It Changed”

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The Awe of Ordinary Labors: 20th-Century Paintings from Ukraine

February 1, 2025 — June 1, 2025


Works by Ukrainian painters that complied with Soviet government requirements on the surface but also communicated subtle subversive statements

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Brilliant Exiles: American Women in Paris, 1900 – 1939

July 19, 2025 — November 2, 2025


This exhibition features approximately 65 portraits of remarkable women, highlighting the dynamic role of portraiture in articulating a refashioned sense of self