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Kei Ito: Staring at the Face of the Sun

Saturday, Jan 27, 2024 — Sunday, Jul 14, 2024



Kei Ito uses photography to examine the intergenerational trauma of nuclear disaster and the possibilities of healing and reconciliation. Ito’s grandfather, who survived the atomic bomb dropped on Hiroshima, described the day as if there were “hundreds of suns lighting up the sky.” Ito uses camera-less techniques, exposing light-sensitive material to sunlight for the length of a single breath. In this way, he ties the invisibility of radiation (whether from the sun or nuclear weaponry) to the life-breath of the human body. Ito’s work also connects nuclear war’s impact abroad to the effects of nuclear testing on “down-winders” on the American continent. As a result, he poignantly underscores our collective inheritance in the nuclear age, as both the attacker and the attacked suffer at an apocalyptic, global scale.

Kei Ito: Staring at the Face of the Sun

  • Georgia Museum of Art
    Kei Ito (b. 1991), “Sungazing Scroll,” 2023. C-print photogram scroll (sunlight, artist’s breath), 12 inches × 118 feet.
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  • Georgia Museum of Art
    Kei Ito (b. 1991), “Burning Away,” 2021 – ongoing. 8 silver gelatin chemigram prints (sunlight, honey, various oils), wooden frames, 24 × 20 inches each.
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  • Georgia Museum of Art
    Kei Ito (b. 1991), “Eye Who Witnessed,” 2020 – 22. 108 unique chromogenic photograms (sunlight, historical archive), 8 × 10 inches each.
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  • Georgia Museum of Art
    Kei Ito (b. 1991), “To Implore Your Light,” 2021 – 23. Photograph of artist’s past installation of the work.
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Curator

Jeffrey Richmond-Moll, George Putnam Curator of American Art, Peabody Essex Museum

Sponsors

Funding made possible by the Henri and Tomoye Takahashi Charitable Foundation, with additional support from the Friends of the Georgia Museum of Art and Sara and John Shlesinger

Galleries

Lamar Dodd, Boone and George-Ann Knox, Rachel Cosby Conway, Alfred Heber Holbrook and Charles B. Presley Family Galleries

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