This project involves the public exhibition and interdisciplinary study of an important but little-known ancient marble relief sculpture with vestiges of ancient painting, which is in the David M. Robinson Memorial Collection of Greek and Roman Art at the University of Mississippi Museum. Mark Abbe, assistant professor of ancient art at UGA’s Lamar Dodd School of Art serves as designer of the project, which will involve working with UGA’s Center for Applied Isotope Studies, department of chemistry and department of classics.
This exhibition will feature five paintings by the French artist Bernard Smol (1897–1969) that are currently in the museum’s collection. Due to limited storage space and evolving collecting philosophy, the museum staff has decided to “deaccession,” or remove from its collection, all but one of the works. Visitors will be able to vote on which one they would like the museum to keep, and the curatorial staff will take those votes into consideration
Decorative arts historians coined the term "face jug" to refer to a pottery type created by the African American enslaved community in the Edgefield district of South Carolina. The small vessel is turned stoneware with facial features—wide eyes and bared teeth—made of kaolin, a locally sourced clay.
Ann Bonfoey Taylor (1910–2007) created a life that personifies what an American woman can be—Olympic skier, championship tennis player, licensed pilot, successful skiwear designer, skilled sportswoman—but above all, she was a style icon.
This periodically rotating exhibition of Belleek porcelain comprises masterworks from the comprehensive and noted collection of Linda N. Beard. The roots of Belleek porcelain production lay in the lands of John Caldwell Bloomfield, who in 1849 had a geologic survey of his property in the village of Belleek, County Fermanagh, in what would later become Northern Ireland, that revealed rich deposits of minerals.jam
With the completion of Phase II, 13 new galleries now house a significantly larger portion of the Georgia Museum of Art's permanent collection, including many of the 100 American paintings that made up Alfred Heber Holbrook's founding gift, with which the museum first opened its doors in November 1948. Holbrook's vision of permanently exhibiting treasures from the museum's collection is, at last, realized.