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A family sits at a table in front of a fireplace to play Pick-up Sticks and Chinese checkers.

Seams to Be: Exploring the Work of Georgia’s Textile Visionaries

A person holds up a print of a bird at a table covered in crafting supplies.

Museum’s Just My Imagination Program Brings Workshops to Kids Across Georgia

Saul Baizerman's hammered copper sculpture "Day" reclines in the newly reinstalled Orkin Gallery.

Reinstallation of Museum’s Swanson and Orkin Galleries Brings Out New Selections of Modern Art

A group of five student guides sit on a wall in the museum's sculpture garden

Student Guide Program Offers Fresh Perspectives on Museum’s Collection

Art conservator Larry Shutts leans against a table while working on Joan Mitchell's painting, "Close."

Conservation Up Close: Larry Shutts Restores Joan Mitchell’s Painting

Mixed media portrait of a woman wearing a robe and sitting on a bed while reading a book and holding a mug

Taking the Show on the Road: “Seams to Be” Travels Across Georgia

UGA’s Anne Barge Historic Clothing and Textile Collection Lends Fashion Items to “Brilliant Exiles”

Museum’s Collection Inspires Poetry by Creative Writing Students

New Installation Enlivens the Georgia Museum of Art’s Sculpture Garden

A detail of a quilt created by an enslaved person or persons, with a complex pattern in black and white.

UGA Faculty Use Museum’s Study Gallery as an Extension of the Classroom

“asinnajaq: Three Thousand” Reimagines the Past and Future of Inuit Life

Joan Mitchell's large two-panel abstract painting "Close." Inspired by her garden in France, it consists of a series of rectangular blocks in yellow, lavender and dark green, with thickly applied paint and messy edges. Even though it doesn't picture a garden, it suggests cool foliage and warm sun.

Joan Mitchell’s “Close” to Undergo Public Conservation in Georgia