Conceived as a teaching exhibition for students and the public alike, the exhibition brought together 15th- and 16th-century paintings that either foreshadowed or echoed Titian's rise to ultimate prominence. The exhibition featured works by such masters as Jacopo Robusti, Cima da Conegliano, Marco Basaiti and Giovanni Bellini. The publication includes a description and history of Venetian paintings and painters, background information on the Renaissance period and a catalogue of the exhibited works.
Exhibition dates: March 31-June 17, 1990
General Editor: Andrew Ladis
Essay by Bruce Cole
44 p.; Illustrated (with 10 color plates); Essays: 1 (with 10 student essays); Published: 1991; $12.50
Twenty-two sculptures from the Palazzo Venezia in Rome, Italy, were brought to the Georgia Museum of Art for their first exhibition in the United States in 1997. Marble, terra-cotta and bronze sculptures from the 15th to the 17th centuries were featured, including four reliefs by Mino da Fiesole depicting the life of St. Jerome, originally from Santa Maria Maggiore, one of the four principal basilicas in Rome, and Bernini's terra-cotta model for one of the angels on the Ponte Sant'Angelo. The catalogue includes an essay on the history of the Museum at the Palazzo Venezia, a catalogue of the exhibition and a bibliography.
Exhibition dates: October 5-November 24, 1996
General Editor: Shelley Zuraw
Essays by Claudio Strinati; Maria Letizia Casanova; Maria Giulia Barberini; Shelley Zuraw
Catalogue entries: Shelley Zuraw; Maria Giulia Barberini; Pietro Cannata
90 p.; Illustrated (includes 24 color plates); Essays: 4; Published: 1996; $25.00
This book, the third in the series that includes the volumes "Crosscurrents in American Impressionism" and "The Craft of Art," was written in conjunction with a symposium that accompanied the 1994 exhibition entitled "Adriaen Van Ostade: Etchings of Peasant Life in Holland's Golden Age." The publication includes several scholarly essays that discuss issues of women and peasants in 17th-century Dutch art, as well as a memoir by S. William Pelletier, director of the Institute for Natural Products Research at the University of Georgia, on his collection of prints by Van Ostade. Scholars covered the broad issue of domesticity, as well as the underlying themes of privacy and civility throughout the Dutch works of that period. The characterization of the peasant as a parent and cultural entity is also discussed. Scholars emphasized the portrayal of the Dutch peasant as the "other" in the country's social structure rather than as a positive or negative figure in 17th-century art.
General Editor: Patricia Phagan
Essays by S. William Pelletier; Lisa Rosenthal; Wayne Franits; Nanette Salomon
94 p.; Illustrated; Essays: 5; Published: 1997; $16.00
This exhibition featured 71 objects from the Byzantine Collection of Dumbarton Oaks in Washington, D.C., representing the imperial, ecclesiastical and secular realms.
Exhibition dates: May 6-November 6, 2005
General Editor: Asen Kirin
192 pp; Illustrated. Published: 2005; $35.00
With exceptional powers of observation, Joseph Mallord William Turner recorded the changing world of the 18th century in his work. As the only British artist of his era to reflect the spirit of progress, he assumes a unique place in English art. The works in the exhibition were selected both to document Turner's career as a watercolorist and for their sheer beauty; the watercolors and drawings featured in the exhibition demonstrated Turner's mastery of watercolor. The publication includes an examination of Turner's life and artistic technique as well as a catalogue of the exhibition, which focused on the artist's watercolors.
General Editor: Lindsay Stainton
Essay by Richard S. Schneiderman
Preface by William C. Agee; John Rowlands; Richard S. Schneiderman
92 p.; Illustrated (includes 16 color plates); Essays: 1; Published: 1982; $15.00