Organized by the Newcomb Art Gallery and the Smithsonian Institution Traveling Exhibition Service, "Women, Art and Social Change: The Newcomb Pottery Enterprise" is the largest presentation of Newcomb arts and crafts in more than 25 years.
As part of Art Rocks Athens, the museum will join the UGA Special Collections Library, the Lamar Dodd School of Art, the Lyndon House Arts Center, Ciné and others in celebrating the Athens art and music scene of the 1970s and 1980s.
Scottish artist Patricia Leighton has been making art in the public realm for more than 25 years, creating large-scale permanent commissions that relate to the history of a given site and relevant environmental and ecological conditions.
Fifty-six works from the Westmoreland's permanent collection make up this exhibition that spans 200 years of American art, from colonial times to the mid-20th century, as the United States came into its own as the cultural capital of the world.
Born and resident in Tuscumbia, Ala., for nearly all her life, Mary Wallace Kirk (1889–1978) is virtually unknown today as an artist, despite her training at the Art Students League in New York, where she studied etching with Harry Sternberg.
Professor Katherine Schwab's drawings of the Parthenon frieze reliefs let us reimagine these works of art in our time and experience their sustained mythological narratives. Schwab’s drawings combine artistic ability and archaeological expertise, and, through the process of drawing, she has made new observations and discoveries.
David Xavier Harrigan, a.k.a., Tomata du Plenty (1948–2000), was one of the founders of Seattle’s early-1970s punk scene with the Ze Whiz Kidz counterculture theatre troupe and fronted acclaimed L.A. synth-punk band the Screamers.
Robert Schneider, Will Hart, Bill Doss and Jeff Mangum grew up in Ruston, La., spending much of their youth making music on four-track recorders.
Inspired by Emilio Pucci's brief tenure as a student in horticulture at the University of Georgia in 1935, this exhibition celebrates the Italian designer's time in the United States and his 100th birthday.
Odilon Redon (French, 1840–1916) made three series of prints based on Gustave Flaubert’s “Temptation of St. Anthony.” This exhibition consists of the complete set of Redon’s third series (1896) illustrating Flaubert's work.
"Not Ready to Make Nice" illuminates and contextualizes the important historical and ongoing work of the Guerrilla Girls, highly original, provocative and influential artists who champion feminism and social change.
This exhibition serves as an introduction to Fischer’s jewelry and other works of art (etchings, watercolors and drawings), which scholars have mostly overlooked, but will also delve into issues of identity and the influence of early Christian and medieval art on her jewelry designs.
This exhibition is the first one devoted to the many works that the Catalan-American painter Pierre Daura created throughout his career in response to his personal relationships.
From the international fight against fascism to protecting the proletariat, El Taller de Gráfica Popular (the Workshop for Popular Graphics, or TGP for short) worked diligently to keep pertinent issues before the populace of Mexico and the world.